Sunday, October 24, 2010

"May I cut of the head of dead Miss Lucy?"

Dracula was written in 1897, a time when manners were still very important. As is evident when Dr. Van Helsing asks Arthur Holmwood, “May I cut off the head of dead Miss Lucy?” after his fiancĂ©e is mysteriously bitten (by Count Dracula), and begins to become very sick, dies and later, appears to be rising from the dead to attack small children at night. As it turns out, according to Dr. Van Helsing, the best way to dispose of such a problem would be to cut off Lucy’s head and fill her mouth with garlic.  At first, Arthur is appalled by this idea but soon comes to realize that its only way that Lucy can truly be laid to rest.

Afterwards Van Helsing, Arthur and Lucy’s two other suitors (she received marriage propositions from three men all together) Dr. Seward (the POV character in this portion of the novel) and Quincey Morris all descend into Lucy’s tomb to perform the beheading. Upon opening her coffin they find her appearance has changed in the sense that her teeth have become pointed and her mouth voluptuous describing it as “seeming like a devilish mockery of Lucy’s sweet purity.” Once again, sexuality coming into play with vampiric conditions, making me wonder if the novel is one that:

a) Views sex as a negative or
b) is providing commentary on sexual repression common in the 19th century.

This is followed by Arthur staking Lucy in the heart to “kill” her (or at least as dead as you can make the undead) while Van Helsing reads a religious missal aloud. As soon as the stake pierces her skin, Lucy screeches in a horribly demonic way and begins to writhe, twist and convulse but eventually lies still. As a result of being staked, Lucy’s body returns to as was in life “with her face of unequalled sweetness and purity.”

Dr. Van Helsing seems to be much more superstitious than those around him and it proves incredibly useful as he does see the true cause of Lucy’s sickness and is able to solve it with due to his great knowledge of the supernatural. His faith in magic and superstation is evident in that he uses religious items such as crosses and missals during his dealings with the supernatural and that he is willing to cut of the head off the body of a kind, sweet and deceased human being and fill the mouth with garlic because of the supernatural forces he believes are behind it. This is effective of course seeing as these magical elements in the world of the book are very much real. It would appear that perhaps one of the themes of the novel as expressed through this character would be that of the importance of faith. Van Helsing is perhaps the only character who is able to identify the true cause of Lucy’s failing health due to his vast knowledge of folklore while the other characters seek out a logical explanation.

It should also be noted that Charles Darwin’s On the Origin of Species was published in the same half of the 19th century that Dracula was and people were still getting used to the ideas that it put forward. It could be that the almost animalistic behavior of the vampires (the drinking of blood, the climbing up walls) may have been a reflection on some peoples feelings towards the notion that human beings are after all animals and descended from them as well. What I like about Dracula so far is that, while it seems to promote faith and superstition over logic and fact in some cases, it still seems to embrace scientific ideas such as evolution as fact by presenting the animalistic behavior of the vampires as a reflection on these new ideas. It’s possible Bram Stoker is trying to communicate that, “yes human beings are animals in many senses but we should still always keep in mind what separates us from the rest of zoology”.

Tuesday, October 19, 2010

Dracula Post One: Vampires and Sexuality

October 19, 2010,

I’ve reached a point in Bram Stoker’s Dracula that’s proved to be rather intriguing, involving a scene which is reminiscent of a typical teenage male fantasy soon turned into a horrific dreamscape nightmare. To briefly give to some back story, Jonathan Harker, a solicitor has been living in the castle estate of Count Dracula, located in the mountains of Transylvania and has been living as a prisoner. He begins to notice strange behavior displayed by the Count at night such as climbing around the castle’s exterior “just as a lizard moves along a wall.”

This inspires Jonathan to take walks around the castle at night with escape on his mind which is where said scene picks up. One night while searching for a way out of the castle, he happens upon a room occupied by three beautiful women, two described as being dark and with “high aquiline noses, like the Count” as well as sharing his “great dark, piercing eyes” and one as “fair, as fair as can be, with great wavy masses of golden hair and eyes like pale sapphires.” Jonathan also describes them as being ladies from the way they dress. However, despite their beautiful and elegant appearances, he feels unease as well as arousal by their suggestively sexual behavior. “Thrilling and repulsive” is an interesting description he offers. Just as he begins to give in to the “temptation” the Count intervenes, furious at the ladies for this but promises “when I am done with him you shall kiss him at your will.” Jonathan blacks out at this point.

Wow. This scene has a lot of impact on the reader as it’s rife with primal elements of the human nature - sexuality being the most obvious. Interestingly, sexuality has often been associated with vampires. Of course, the most well known example today would be Stephanie Meyer’s Twilight Saga and its film adaptations (although most vampire enthusiasts would argue that this is hardly a legitimate vampire fiction) with its heart-throbbing cast of gorgeous high-school hotties. However there are many more examples that could be considered much more true to traditional views of vampires involving sexuality and romance such as Ann Rice’s Interview with a Vampire series, Charlaine Harris’s True Blood series and The Underworld films staring a whole cast of “beautiful people” such as the gorgeous Kate Beckinsale as a werewolf destroying vampire assassin who falls for an eventual vampire werewolf hybrid played by Scott Speedman. Even in vampire fiction that doesn’t involve a lot of heavy (if any) romance or sexuality, there is still often a vibe that vampires are very good-looking creatures such as the Blade series (the only overall unattractive vampires that appear are infected with a disease that renders them as sickly, vein covered, pale creatures with mandibles). And then there is of course the scene I just described involving three beautiful, probably sexually repressed females (who I believe are likely vampires) almost unleashing their primal urges on Jonathan Harker. Why is it that vampires are so often associated with sexual instincts, romance and lust?

There are many explanations for this. There is, of course, the vampire’s immortality which would add as a powerful element to the sexual urges. Immortality has often been associated with isolation in time and of course, isolation can often lead to great sexual repression as well as an attractive, possibly deep, personality.
Then there is the idea that a vampire’s attractiveness may also owe some of its power to the fact that they can be pretty impressive when compared to humans. Among humans, vampires have no real bounds other than sunlight, religious items and garlic (depending on the source of the lore). They live by their own rules and they’re beautiful while they do so. They are the majestic, solitary alpha males and the elegant, brooding swans that often pose such sexual power and status in nature. They’re cool, good looking and in some ways free. And even better, some of them have extraordinary powers involving strength, speed or control over animals to name a few. The perfect image.

And then there is the possibility that a vampire’s beautiful appearance may just be a trap to use when they hunt. Like a carnivorous plant, attracting unwary prey into its grasp or like a leopard, using its beauty to hide itself until the right second, the vampire can unleash the personality that keeps it alive on the prey.

All these and more could be the reasons that sexuality is so important to vampiric lore. One thing is for sure: vampires aren’t going away anytime soon (have they ever really) and neither is the sexual element of the stories they star in.

Luke Dickey

Monday, October 4, 2010

Welcome to My Blog

Hello, my name is Luke Dickey and I'm currently reading Bram Stoker's classic horror novel Dracula. I've been enjoying it quite a lot and look forward to studying it in further depth as well as looking into the life of Bram Stoker. Below are some websites that could be used for potential research.


1. http://www.online-literature.com/stoker/
2. http://www.novelguide.com/Dracula/themeanalysis.html
3. http://vladtheimpaler.com/
4. http://www.enotes.com/twentieth-century-criticism/dracula-bram-stoker
5. http://www.draculas.info/
6. http://news.bbc.co.uk/local/york/hi/people_and_places/arts_and_culture/newsid_8121000/8121579.stm
7. http://www.carter-stephenson.co.uk/dracula.htm#chapter1
8. http://www.novelguide.com/Dracula/essayquestions.html
9. http://www.suite101.com/article.cfm/vampires_movies/60392
10. http://findarticles.com/p/articles/mi_m1571/is_n21_v12/ai_18351574/

I hope you enjoy reading my thoughts and reflections as I read through this classic of gothic fiction.